I’ve been thinking a lot, lately, about the concept of wabi-sabi. It’s a Japanese term, and it describes the aesthetic beauty of the imperfect, the appeal the lonesome and the serene. In fact, the term wabi-sabi is a combination of two terms – Wabi, an expression of remoteness, of humble simplicity; and Sabi, a word that denotes impermanence – the passage of time and the beauty in things that have weathered it.
Wabi-sabi is the comfort of well-worn boots and the tired gray of weathered wood. It’s an old car in the driveway, or a walk in the woods. It’s the feeling that fall brings, and the taste of a family recipe. It’s what you mean when you say ‘home.’

Weathered wood & rusted hinge.
Wabi-sabi is not just an aesthetic but a concept. In a sense, it’s an appreciation for things you know and love — good things, things that last long enough for you to nuzzle out their subtle idiosyncrasies, and love them for it. I suppose you could call it ‘character.’
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There is an antithesis to Wabi-sabi, but I don’t know if it has a name. It’s the sleek symmetrical designs of today’s electronics, the utility of mass produced plastic Tupperware. It’s the draw of the fresh, the new, the contemporary. It’s new televised content every day, new fashion trends every season, new pictures on our Instagram feeds. It’s consuming new things, rather than getting to know the old.

New phones.
The contrast is interesting. Wabi-sabi describes well-made objects that age gracefully with time, objects whose use makes them valued heirlooms. On the other side, there are plenty of objects, particularly in modern society, the use of which makes them gradually more worthless. You would rarely find reason to buy a cell phone that is more than a few years old, but you might invest in good furniture, or a well-used cast-iron skillet.
I think we’ve seen a shift away from wabi-sabi, not just here in the United States, but worldwide. The prevalence of the cheap and disposable makes many things easier, without a doubt. Call it consumer culture, industrialization, or globalization, it’s a result of new technologies, capitalism, and market culture. It shows the progress of human civilization, and we love it.
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But when we turn on our televisions, we watch movies where we root for the underdog. Our rebel faction, with tattered cloaks and outdated technology, fights against the sleek robotic agents of some futuristic utopia. Sometimes, we watch movies in which modern civilization has collapsed altogether, our lonesome protagonist wandering through a remote and desolate landscape.
We set our desktop backgrounds to pictures of mountains and beaches and our favorite television shows are about small-town detectives. City-dwellers wear flannel and grow beards and escape to rustic bars after work. We spend our weekends camping outdoors, or driving lonely roads, or hiking overgrown trails. Even as we consume the sleek and the new, we dream about the lonesome and serene.
We may think we want this new world of big data, of smart phones and smart watches and rounded corners. But, subconsciously, part of us yearns for the other, the wabi-sabi ideal.
Daisetz Suzuki, a prolific author who worked to translate the ideas of Zen, Bhuddism, and Shinto to the western world, once stated that wabi-sabi is ‘an active aesthetical appreciation for poverty.’ Not monetary poverty, but romantic – the simple life.
So what if we more fully embraced that wabi-sabi mindset? What can we do?
I don’t think many of us can become lone wanderers or hermits. We are still living in a society that practically demands us to hurry up, to sit down, to consume. But there is always choice.
We can start treating things like they’re less disposable. We can choose quality over quantity, and consume less instead of more. We can act as stewards for our land. We can plan for the future, not just today. We can disregard the photoshopped, and embrace a diversity of beauty. We can care for what we have, and be grateful for it.
The world is messy, uneven, old. But it’s not hard to find comfort in her wrinkles.










